Poem in The Mozzie

Andrew’s poem, “Mummy-Long-Legs” (a 4-haiku gunsaku), was published in the April 2018 issue of The Mozzie.

Although it is only a small, no-frills magazine, the monthly Mozzie publishes some big-name poets, such as Bruce Dawe, Shane McCauley, Kevin Gillam and Thomas Shapcott. Its (usually) short poems are (usually) refreshingly accessible.

The April issue of The Mozzie also contains a poem by Shane McCauley, “Kyoto Temple Dedicated to Jizo”, which bears the kind dedication, “for Andrew Lansdown”.

Unfortunately and inexplicably, The Mozzie typesetter/copyist made several mistakes when transferring Andrew’s “Mummy-long-legs” into the magazine. The copyist added the words “for him” in the third line of the first haiku — turning a 5-syllable line into a 7-syllable line and destroying the balanced phrasing of the poem. The copyist also changed the wording of the second line of the fourth haiku from “… told daddy’s legs” to “… told daddy-long-legs” — turning a 7-syllable line into a 9-syllable line, and destroying not only the balance of the haiku, but also the point of it, which is that “mummy” has eaten “daddy” right off his legs (and hence, only his legs are left for her to address).

Perhaps more problematically, the Mozzie copyist removed the Roman numerals above each haiku, giving the impression that “Mummy-Long-Legs” is a single, four-stanza poem, when in fact it is a suite of four distinct poems that have been combined under a single title to explore/expand a common subject. The reader who mistakes “Mummy-long-legs” for a single poem will have a disappointingly “jerky” reading experience because the supposed “stanzas” are not integrated with each other. However, the reader who understands that he/she is reading four distinct poems (haiku) can relish each poem in its own right (and perhaps even settle upon a favourite) and enjoy the way that each poem supports and supplement the others, so that the sum of the four is greater than any one of the four.

Well, this is serious talk for such a light poem! The correct wording and layout of “Mummy-long-legs” is:

Mummy-long-legs

.         i
Too late daddy
learnt mummy-long-legs only
wanted his body.

.         ii
Long-legged mummy
simply cannot stop—she finds
daddy so yummy!

.         iii
Legs numbering eight—
all that’s left of daddy since
mummy-long-legs ate.

.         iv
Merely a reflex
mummy-long-legs told daddy’s legs
shortly after sex.

© Andrew Lansdown

This poem is included in Andrew’s new collection, Distillations of Different Lands, scheduled for publication by Sunline Press next month.

3 Poems in McMaster Journal of Theology and Ministry

Three of Andrew’s poems were published late last year in the Canadian journal, McMaster Journal of Theology and Ministry, Volume 18 (2016-2017).

The three poems — “The Martyred Mother”, “Sakura Tanka” and “Bravery”—can be read and/or downloaded as a pdf at https://www.mcmaster.ca/mjtm/documents/Volume18/18.MJTM.29-31-Lansdown.pdf

“The Martyred Mother” and “Sakura Tanka” are included in Andrew’s new collection, Distillations of Different Lands, scheduled for publication by Sunline Press in October 2018.

 

 

 

 

 

Poem in The Canberra Times

The Canberra Times published Andrew’s poem, “Sketches of Life”,  in its Saturday Panorama arts section on 24 February 2018. “Sketches of Life” is a set of six haiku. The first and sixth haiku of the set are posted below:

Sketches of Life

.         i
The scent of onions—
from the kitchen the sound of
a knife tap-dancing.

.         vi
A shrugging gesture—
the child making it uses
even her eyebrows.

© Andrew Lansdown

This complete version of “sketches of Life” is included in Andrew’s new collection, Distillations of Different Lands, scheduled for publication by Sunline Press next month.

Poem in Quadrant


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One of Andrew’s poems was published in the June 2017 issue of Quadrant. The poem, a suite of five haiku, is titled “Bird Haiku“. The first and last haiku in the sequence are:

Bird Haiku

i
The overhead wire—
a pair of welcome swallows
singing in the sag.

v
Such a lovely note—
how could I not look up to
find the pardalote?

 


© Andrew Lansdown

2 poems in Weekend Australian Review


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The  Review magazine, published by and distributed with the Weekend Australian newspaper, published two of Andrew’s poems last weekend, 25-26 March 2017. Both poems, “Kilter” and “Untrousered Tanuki” , are gunsaku, sets of haiku linked by common subjects/themes.

Untrousered Tanuki” is a set of humorous haiku about the ceramic racoon-dogs called tanuki (pictured below) that abound in gardens and doorways in the Kansai region of Japan. Andrew has seen (and photographed!) hundreds of these scoundrels in Kyoto and Nara during several visits there with his wife, Susan.

Photograph (right): Tanuki in Arashiyama © Andrew Lansdown.

Untrousered Tanuki

Concerning the ceramic racoon dogs of Kyoto

i
Hey, tanuki,
did you model your bulges
on a sumo’s?

ii
Your bamboo hat’s
tremendous, tanuki, but
where are your daks?

iii
‘Have some decorum,’
a sumo tells a tanuki—
‘cover your scrotum!’

iv
The expression
‘privates’, tanuki, is common
for good reason.

v
Even a flasher,
tanuki, doesn’t expose
himself forever!

vi
Tanuki anthem—
Joe Cocker’s jaunty song, ‘You
can leave your hat on.’


© Andrew Lansdown

2 poems in Quadrant


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The January-February 2017 issue of Quadrant contains two of Andrew’s poems: “Heron” and “Splendid” . Both poems are three-haiku gunsaku. The third haiku in “Splendid” is:

 

If not in colour,
at least in shape—the female
splendid blue wren.

          © Andrew Lansdown