Four poems in Studio – And Praise from Les Murray

Studio magazine published 4 of Andrew’s poems in its No. 146, 2019 edition. The poems are: “Of Maples and …”, a set of 5 tanka; “Bamboo Forest, Arashiyama”, a set of 3 haiku; “Windbells at Fushimi Inari Shrine”, a set of 3 tanka; and “The Shogun and the God”, a set of 2 tanka.

The final haiku in “Bamboo Forest, Arashiyama” reads:

With sky for dojo—
the giant timber bamboos
practising kendo.

          © Andrew Lansdown

This issue of Studio also contains a favourable review by Garry Furnell of Andrew’s recent poetry-and-photography collection, Kyoto Momiji Tanka, which can be purchased through this website here.

Additionally, the first page of Studio 146 contains a statement by the late Les Murray about Andrew. In a tribute to Les, the editor of Studio, Paul Grover, quotes from a postcard he received from Les in 2006. Among other things, Les told Paul, “As for Andrew Lansdown, he’s one of our very best poets, spitefully ignored most of the time.”

Two Poems in Quadrant

 

The September 2019 issue of Quadrant contains 2 of Andrew’s poems: “The Martyred Mother”, a poem written in 7 unrhymed quatrains (except for the last quatrain, which rhymes A, B, C, B), and “Little Endings” suite of 6 haiku.

Two Poems in Quadrant

The March 2019 issue of Quadrant magazine contains two of Andrew’s poems— “Of Maples and …”, a 5-tanka gunsaku, and “Windbells at Fushimi Inari Shrine”, a 4-tanka gunsaku. The first and third “Windbells” tanka are reproduced below:

Windbells at Fushimi Inari Shrine

.        .1

Beckoning

A shop at the shrine
selling big-tailed stone foxes
and toy-sized torii
has a dangle of windbells,
all dinging with the wind’s dint.

.        .3

Sacredness

There is everything
and nothing sacred about
this Shinto windbell
whose fashioned material
sounds out the ethereal.

          © Andrew Lansdown

 

Three poems in Studio

The latest issue of Studio magazine (No. 145, 2019) contains three of Andrew’s poems: “Them Shoes”, “Miscellaneous Thoughts on Poetry” and “Suburban Birds”.

“Miscellaneous Thoughts on Poetry” is set of three tanka, while “Suburban Birds” is a set of five haiku. “Them Shoes” is a 52-line “free form” poem set in Bourbon Street in New Orleans. All three poems are included in Andrew’s latest book , Distillations of Different Lands, which has was released late last year by Sunline Press.

The first and last haiku in “Suburban Birds” are reprinted below:

Suburban Birds

.        .i
The overhead wire—
a pair of welcome swallows
singing in the sag.

.        .v
Such a lovely note—
how could I not look up to
find the pardalote?

          © Andrew Lansdown

5 Poems in Quadrant

Five of Andrew’s poems have been published in the April 2018 issue of Quadrant magazine. The poems are: “On the Composition of Haiku”, “Ukiyo-e Kawaii”, “Kyoto Maple Conceits”, “Cane”, “Miscellaneous Thoughts on Poetry”.

“Kyoto Maple Conceits”, a suite of eight tanka, was published late last year in The Crows In Town, the 2007 Newcastle Poetry Prize anthology.

“Miscellaneous Thoughts on Poetry” is another tanka suite (gunsaku), consisting of three tanka, the second of which is:

On Imagist Poetry

Precise imagery,
plausible and original,
is strangely moving:
who can define or dare dismiss
the emotion of exquisite?

© Andrew Lansdown

Poem in The Mozzie

Andrew’s poem, “Mummy-Long-Legs” (a 4-haiku gunsaku), was published in the April 2018 issue of The Mozzie.

Although it is only a small, no-frills magazine, the monthly Mozzie publishes some big-name poets, such as Bruce Dawe, Shane McCauley, Kevin Gillam and Thomas Shapcott. Its (usually) short poems are (usually) refreshingly accessible.

The April issue of The Mozzie also contains a poem by Shane McCauley, “Kyoto Temple Dedicated to Jizo”, which bears the kind dedication, “for Andrew Lansdown”.

Unfortunately and inexplicably, The Mozzie typesetter/copyist made several mistakes when transferring Andrew’s “Mummy-long-legs” into the magazine. The copyist added the words “for him” in the third line of the first haiku — turning a 5-syllable line into a 7-syllable line and destroying the balanced phrasing of the poem. The copyist also changed the wording of the second line of the fourth haiku from “… told daddy’s legs” to “… told daddy-long-legs” — turning a 7-syllable line into a 9-syllable line, and destroying not only the balance of the haiku, but also the point of it, which is that “mummy” has eaten “daddy” right off his legs (and hence, only his legs are left for her to address).

Perhaps more problematically, the Mozzie copyist removed the Roman numerals above each haiku, giving the impression that “Mummy-Long-Legs” is a single, four-stanza poem, when in fact it is a suite of four distinct poems that have been combined under a single title to explore/expand a common subject. The reader who mistakes “Mummy-long-legs” for a single poem will have a disappointingly “jerky” reading experience because the supposed “stanzas” are not integrated with each other. However, the reader who understands that he/she is reading four distinct poems (haiku) can relish each poem in its own right (and perhaps even settle upon a favourite) and enjoy the way that each poem supports and supplement the others, so that the sum of the four is greater than any one of the four.

Well, this is serious talk for such a light poem! The correct wording and layout of “Mummy-long-legs” is:

Mummy-long-legs

.         i
Too late daddy
learnt mummy-long-legs only
wanted his body.

.         ii
Long-legged mummy
simply cannot stop—she finds
daddy so yummy!

.         iii
Legs numbering eight—
all that’s left of daddy since
mummy-long-legs ate.

.         iv
Merely a reflex
mummy-long-legs told daddy’s legs
shortly after sex.

© Andrew Lansdown

This poem is included in Andrew’s new collection, Distillations of Different Lands, scheduled for publication by Sunline Press next month.

Poem in The Canberra Times

The Canberra Times published Andrew’s poem, “Sketches of Life”,  in its Saturday Panorama arts section on 24 February 2018. “Sketches of Life” is a set of six haiku. The first and sixth haiku of the set are posted below:

Sketches of Life

.         i
The scent of onions—
from the kitchen the sound of
a knife tap-dancing.

.         vi
A shrugging gesture—
the child making it uses
even her eyebrows.

© Andrew Lansdown

This complete version of “sketches of Life” is included in Andrew’s new collection, Distillations of Different Lands, scheduled for publication by Sunline Press next month.

2 poems in Weekend Australian Review


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The  Review magazine, published by and distributed with the Weekend Australian newspaper, published two of Andrew’s poems last weekend, 25-26 March 2017. Both poems, “Kilter” and “Untrousered Tanuki” , are gunsaku, sets of haiku linked by common subjects/themes.

Untrousered Tanuki” is a set of humorous haiku about the ceramic racoon-dogs called tanuki (pictured below) that abound in gardens and doorways in the Kansai region of Japan. Andrew has seen (and photographed!) hundreds of these scoundrels in Kyoto and Nara during several visits there with his wife, Susan.

Photograph (right): Tanuki in Arashiyama © Andrew Lansdown.

Untrousered Tanuki

Concerning the ceramic racoon dogs of Kyoto

i
Hey, tanuki,
did you model your bulges
on a sumo’s?

ii
Your bamboo hat’s
tremendous, tanuki, but
where are your daks?

iii
‘Have some decorum,’
a sumo tells a tanuki—
‘cover your scrotum!’

iv
The expression
‘privates’, tanuki, is common
for good reason.

v
Even a flasher,
tanuki, doesn’t expose
himself forever!

vi
Tanuki anthem—
Joe Cocker’s jaunty song, ‘You
can leave your hat on.’


© Andrew Lansdown