Poem broadcast on ABC Radio National’s Poetica

Of the 95 Australian poets who published poetry collections in the past 12 months, 17 were chosen for the ABC Radio National’s “Around the Nation” edition of Poetica that was broadcast on Saturday 13th September at 3.00 pm (and again on Thursday 18th September at 9.00 pm). Andrew was one of those 17 poets, represented by his poem “Outhouse Haiku” from his book Inadvertent Things (Walleah Press).

Poetica’s website has the following introduction to “Around the Nation” program:

For this show, producer Mike Ladd read his way through 95 new Australian poetry books published in the last year or so. He says, “I favoured poems that looked out as well as in, captured a time and a place, embraced a wider politics, gave you something to feel beyond the default melancholy mode, but also something to think about; poems with wit and social comment. Also, some very polished, even beautiful writing, remains a page phenomenon, but radio is a sound medium; the poems have to communicate on being heard, not by being studied on the page. This selection was made with that in mind.”

The full “Around the Nation” program can be played or downloaded from the Poetica site, here: http://www.abc.net.au/radionational/programs/poetica/around-the-nation/5497508

Poem in art exhibition catalogue

 15 Daniel Webster, Self Portrait 2014, digital print, acrylic, Japanese ink, triptych: each panel 80 x 57 cm, $5,000

(Painting: Daniel Webster, Self Portrait 2014, digital print, acrylic, Japanese ink, triptych: each panel 80 x 57 cm, $5,000)

 

Ron Nyisztor, the curator of the 2014 Mine Own Executioner art exhibition, has used Andrew’s poem, “I Do Not Forget”, as the introductory statement in the exhibition catalogue.

Mine Own Executioner has established its reputation as WA’s pre-eminent exhibition of self-portraiture, fascinating audiences with diverse interpretations and representations of the self since the inaugural exhibition in 1995.

Presented by the Mundaring Arts Centre, this exhibition has challenged over 300 of Western Australia’s most significant artists to investigate the notion of self-portraiture.

Each year, the selected artists are invited by the curator to consider their approach to their visual interpretations in relation to the chosen curatorial theme.

Mine Own Executioner in 2014 presents an intriguing collection of new works by seminal Western Australian artists, with the aim of reflecting the depth and range of creative arts practice currently at work in our artistic community. Curated by Ron Nyisztor, these 18 West Australian artists have manifested an image of themselves free from the constraints of an overarching exhibition theme. (Information taken from the Mundaring Arts Centre website – http://www.mundaringartscentre.com.au/mine-own-executioner/)

The 2014 Mine Own Executioner portraits can be viewed on the Mundaring Arts Centre website, here – http://www.mundaringartscentre.com.au/online-gallery-mine-own-executioner-2014

Andrew’s poem can be read in the catalogue, which is available online as a pdf download, herehttp://static.squarespace.com/static/52ca5eaae4b05c5f2d7b76de/t/538d3b3be4b08a8b36a01e47/1401764667282/MineOwnExecutioner_Catalogue_2014_spread.pdf

Poem in The Canberra Times

 

 

 

 

 

 

 

 

 

 

 

Photo: Canada geese on the Mississippi © Andrew Lansdown

The Canberra Times newspaper, in its weekend Panorama magazine, published Andrew’s poem “Along the Way” on 28 June 2014. The poem is reproduced below:

 

Along the Way

 

This flock of Canada geese

floating on the Mississippi,

enjoying the sun’s crease

 

in the water’s bob before

continuing their migration

to some dim distant shore …

 

And may not I, too, take

such enjoyments, such respites

on the journey I must make?

 

            © Andrew Lansdown

2 poems in US anthology

Andrew’s poetry is represented in The turnrow Anthology of Contemporary Australian Poetry, published by the University of Louisiana at Monroe in the United States. Edited by John Kinsella, the 589 page anthology contains poems from over 120 poets ranging from Jordie Albiston to Les Murray to Fay Zwicky. The two poems by Andrew in the anthology are “Being Bamboo” and “Waterlily Haiku”.

2 poems in Quadrant

The July-August issue of Quadrant magazine contains two poems by Andrew: “Red Dab” and “Temple Stone Basin”. The latter is a gunsaku comprised of five haiku. Here are the first and last haiku in “Temple Stone Basin“:

……..i

The water in it

or the stone basin itself–

which is uneven?

……..v

The cherry petal–

too heavy to be buoyed on

the light overspill.

        © Andrew Lansdown

3 poems in Quadrant

The June 2014 issue of Quadrant contains three of Andrew’s poems, each written in the traditional Japanese form known as the tanka: “Tribute to Three Masters”, “Consecration” and “Clash”. These tanka were written after Andrew and his wife, Susan, visited Japan in 2013.

“Consecration” (below) is a lament for the 52 Christians burnt at the stake at the Shogun’s command on the banks of Kamo River in Kyoto in 1619, near the beginning of the 250 year suppression of Christianity in Japan:

 

Consecration

i.m. the Kyoto martyrs, 1619

 

On the wind’s tongue

the spring cherry tree places

a host of Hosts

to consecrate the place where

Catholics were turned to ghosts.

            © Andrew Lansdown

4 poems in Poetry Ireland Review

Poetry Ireland Review, published in Dublin by Poetry Ireland Ltd/Éigse Éireann Teo, the national organisation for poetry in Ireland, has included four of Andrew’s poems in its 112th issue. The poems are “Sehnsucht”, “Measure”, “Path” and “Man of Sorrows”. The editor, John F Deane, requested the poems from Andrew for a special issue of Poetry Island Review on the theme, “Name and Nature: ‘Who do you say that I am?'”

Poem in new edition of Australian Love Poems

Last year Inkerman and Blunt published Australian Love Poems 2013, edited by Mark Tredinnick. The anthology proved to be very popular and the initial print run sold out within six months of its release.

Inkerman and Blunt has reprinted the collection with a few minor alterations, and with a “new” title, Australian Love Poems. (No, it’s not exactly the same title – the year, 2013, has been removed.)

Andrew’s poem, “Afterphase”, is in both editions, and is reproduced below:

 

Afterphase

for Susan

 

In the loll and lull

of love’s afterphase

 

her face is flushed,

her hair is mussed and

 

her mouth is curved

in shy contentment,

 

signalling her heart

shares her body’s

 

softness towards me.

 

          © Andrew Lansdown

5 poems in Studio

Studio journal has published five of Andrew’s poems in its 2014 autumn issue (no. 131). The poems are “South”, “Us2”, “Jizo Stones by the Three-Storeyed Pagoda”, “The Unheard Stags” and “Reading at Lunchtime”.

Poem in The Canberra Times

The Canberra Times newspaper published Andrew’s poem “Parting Petals” on 22 March 2014. The poem, a gunsaku consisting of five haiku, is reproduced below:

 

Parting Petals

Kyoto Spring

 

          i

A light breeze is all

it takes to remind cherries

they’re ephemeral.

 

          ii

Almost as frail,

the cherry’s pinkish petals,

as they are pale.

 

          iii

More cherry petals

detaching from their sepals

beside the temples.

 

          iv

So the blossom goes

and for a time the cherries

sorrow without clothes.

 

          v

We saw you start—

now, cherries, like your blossom

we too must part.

 

          © Andrew Lansdown